Eternal Love: A Love Story - Chapter 8 - Dont Need Your Permission.

Ronald Kuangge transmigrates into an urban novel called “The Dragon King in The World” as a Rich Second-Generation that has to properly play his role as the Villain according to the plot in order to return back to earth.After finishing his villain role accordingly to the plot however, instead of going back to earth he has dreamt so long of doing, he ends up going back to the beginning of the story where he has do everything over once again.So in order to go back to earth, he has to act like a villain according to the story once again.Little does he know this time however, the heroines have also regressed back as well...

This is the story of a crazy lich who possesses an internal game system and brings catastrophe to the entire world.

The fat and ugly Nora Smith is the laughingstock of the town when her fiancé breaks off their engagement.He says, “The sight of your gigantic face and thunder thighs disgusts me! Don't ever pester me again!”“What an idiot.” Nora scoffs and turns around, her lips curling up into a smile.Later, when Nora successfully slims down, she returns as an astounding beauty.Her ex-fiancé comes to her bearing flowers and begs, “I was wrong, Nora. I’m willing to do anything as long as you come back to me.” Nora rests her chin in her hands and smiles as she replies, “Real men don’t dwell on the past.” Angered, he says, “You’re just a dimwit saddled with baggage that I dumped, Nora. No one will want you except me!”But following that…A young and popular singer tweets: “Nora Smith is my goddess!”An internationally renowned surgeon asks, “Are you free tonight, Nora?”Even the rich and influential hotshot whom everyone is scared of comes forward and says, ”I can take care of my wife and children myself, thank you very much.”

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.