I Became the Narrow-Eyed Character in the Little Prince Game - Chapter 144: Hangover (2)

Warlock of the Magus World, the world full of deceit, bloodshed, betrayal, backstabbing, logical thinking, profit oriented mindset and myriad of phenomenal mysterious entities. In this world a soul is reincarnated and we embark on a journey of a lifetime, as his ups and downs would be written in the annals of history of the whole Magus World.

A man and a myth would make use of his knowledge of the future, leaving behind the mindset of the past embracing his new identify in a new World.

What would we see? Where will this journey lead? For all the fans of WMW out there, this is your salvation and a chance to once again swim in the deep intoxicating waters of the strange yet intoxicating Magus World.

Kyoukai Senjou no Horizon chronicles the story of a futuristic civilization returned to Earth after constant warfare hindered them from traveling beyond the post-Apocalyptic Earth. At this stage, a small archipelago called the Divine States were the only hospitable land on Earth. In order to regain the space-faring technology they had lost after many years of war, they decided to recreate history with a book called the Testament as a guide.

It is the year 1648 in the Testament Era. Toori Aoi, Chancellor and Student Council President of the only academy on the airborne city-ship Musashi, faces the ten-year anniversary of the death of his childhood friend Horizon Ariadust in an accident. As he prepares to celebrate the occasion by proposing to P-01s (an automaton who looks exactly like Horizon) he discovers that his suspicion about P-01s’ appearance actually has a basis in truth; P-01s is in fact Horizon Ariadust, reborn into a robotic body. In addition to this, Horizon’s emotions had been stripped away and are now stored in eight powerful weapons called the Mortal Sin Armaments; which are now in the possession of key people in various established countries in the Divine States.

To retrieve the emotions of Horizon Ariadust, Toori Aoi along with his friends and allies begins a crusade against different obstacles as key events in history are recreated in a futuristic manner.

Zhang Xiao Qiang is a nobody in this apocalyptic world with danger lurking everywhere, he is forced to wander around and learn the rules and principles to survive. Over the course of time, Zhang Xiao Qiang’s character and laziness slowly wore away from the experiences he faces. Zhang Xiao Qiang becomes more resilient, of course also gaining power whilst watching the lunatics of the apocalypse trampling on everything they could trample on. Zhang Xiao Qiang always maintained a bit of conscience in him. He never had the thoughts of being a hero, yet he doesn’t mind sharing bread from his plate. Zhang Xiao Qiang will continue to live in the cracks of the apocalyptic world until the crack can no longer hold him.

Some places have gruesome descriptions, so enter with caution!!! Zhang Xiao Qiang motto is: “Don’t talk to me about human rights, Don’t talk to me about the laws, Don’t talk to me about favors!”

TL note: ‘Xiao Qiang’ is slang for ‘cockroach’ but is also the name of the main character.

- Description from Novelupdates

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.