MTL - Marrying The Villain - Chapter 95 ending (on)

In wealthy circles, Meng Chuyuan was known to be an abandoned wife. Her husband was rarely home, and both her younger brother-in-law and mother-in-law have terrible tempers.

Others mocked her for living an undignified life, but only Meng Chuyuan knew how comfortable and free she was.

She had endless money to spend and didn’t have to have children.

However, one day, her brother-in-law, who was a popular figure in the entertainment industry, dragged her to a rural reality show.

Before the show started, Meng Chuyuan, as part of the control group, ranked first on the list of unfortunate marriages and cold relations with her in-laws!

After the show aired, Meng Chuyuan’s radiant appearance completely overshadowed the negative publicity!

The netizen’s focus began to change.

Abandoned by a wealthy family? With that 40-carat diamond ring, anyone would want to be in her shoes!

Discord between in-laws? Please! They were so in sync with their playful banter. They acted like real siblings!

Mother-in-law and daughter-in-law conflicts?

During the family day event, Meng Chuyuan’s mother-in-law was practically her number one fan!

Unhappy marriage? Her husband’s possessiveness practically overflowed from the screen.

If they were a so-called fake couple, netizens would live stream themselves eating their shoes!

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Reborn as a sword, he lived for hundreds of years, and then he occupied the body of a 15-year-old prince.

After the sudden death of her boyfriend, Leslie Song has been single-handedly raising her precious little daughter Calliope. It’s a difficult life, but it’s a happy one. A freak accident puts an end to that.As Leslie lies dying on the road, watching Calliope breathe her last, she curses her helplessness. Calliope’s crochet fox seems to hear her. It opens its mouth and asks, “Do you want to see your daughter again? If so, follow me. Her soul has already left for another world.”Leslie agrees. That’s the last thing she remembers before losing consciousness. When she opens her eyes again, she finds herself—or rather, her soul—standing beside her unconscious body on a hospital bed.“How is this supposed to help me find Calliope!” she exclaims.“This is not your body. Your body is dead. This is my original host, Charlene Li,” explains the toy fox. “You can possess her body to find Calliope, but if you do, you must finish her uncompleted mission for her.”“And what mission is that?”“To marry the second most eligible CEO in the city.”‘This,’ Leslie concludes, ‘is a scam.’ But she has no other choice.**********Meanwhile, the second most eligible bachelor in the city, Calix Xu, is patting himself on the back for thwarting his grandmother’s attempts to marry him off. After exhausting all of his tricks and excuses, he has resorted to marrying the comatose daughter of the Li family.Calix smiles, pleased with himself, “Aren't I smart? Grandmother can do nothing now.”But… why is he seeing his newly-wedded wife hovering beside her own body?Before he can react, his wife—the moving one—floats towards him.“Husband! Help me find my child!”“Your child?” Calix asks weakly before doing the only reasonable thing he can do in such a situation.He faints.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.