Rebirth in One Piece as Deputy Captain - Chapter 553

Kaius just wanted to unlock his class - instead, he restarted the apocalypse. After years of training, Kaius has barely acquired the first two of his family’s legacy skills. Powerful and vanishingly rare, the method of creating them is a secret people would kill for. Now they might be the only thing that keeps him alive. Narrowly surviving a bandit ambush, he gets trapped in the Great Depths- a world spanning dungeon. To escape, he will have to slay one of the Guardians that defend the exits; a feat no one without a class has survived. Ever. If that wasn’t bad enough, if he succeeds he will reignite a forgotten trial that nearly ended civilization. -Runic-Tattoo Wizard/Spellblade in a world of sorcerers -Exceptional MC, with some initial Slow Burn elements -Large scope, inspired by epics such as Azarinth Healer, BTDEM, PH, and more. -Third Person POV, with a 99% MC focus -Numbers go brrrr -Attack Badger (Friendly?) -Battle maniac MC who is not a murderhobo -No harem, romance, or VR

In a twist of fate, Jun Hao, a ruthless street thug known for his brute strength and sharp instincts, dies at the hand of the boss he served like a slave.

When he thought he would die, he saw a screen flash before his eyes—it was a system and a status window!

[System integrating: Become A Top Idol]

Jun Hao finds himself abruptly transported into the body of Choi Joon-ho, a timid trainee hoping to make it big in the cutthroat world of idols through “Rising Stars,” a highly popular idol survival show. In a world unfamiliar to him, where singing, dancing, and charisma reign supreme, Jun Hao must navigate the treacherous waters of an idol survival show or risk losing the life of his beloved younger sister.

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In the steampunk world, races are mixed, and all spirits coexist. This is a different world that worships Iron Armored City!

The smelting furnace provides kinetic energy, heavy weapons protect dignity, and armor is the strongest protection. Every mobile ‘Iron Armored City’ is an independent force.

Every ‘Iron Armored City’ is a hunter driving in the wasteland, and likewise, all Iron Armored Cities are prey in the eyes of the stronger!

- Description from novelbuddy

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.