Supreme Sword Sovereign - Chapter 62 – Your poison is very powerful? Why don’t you let me try it?

Su Aobai used to be a bad son. In the men’s slap in the face, he was a rich second generation who was outstanding in everything, but he lost his wits when he met the male protagonist. His family was wiped out, and the overbearing father was pissed to death; , he is the second generation of Xiu with excellent talent, the hero who was abolished because of a woman’s ridicule, and the woman retired the marriage. In the end, the hero came back once he got the opportunity, and destroyed his sect, and the father of the suzerain died…

Now, Su Aobai has become an old father, and has children who are as miserable as he was back then.

Su Aobai refused at first, and the system promised him that he would be rewarded if he raised the favorability of his children. After that, he became really popular.

Sure enough, what’s the point of being a son, the father is the most embarrassing

Tentative world:
World One: Educated Youth Dad (End)
World II: Prodigal Dad (End)
World 3: Foolish and Filial Man in Fu Baowen (End)
World IV: Redemption Text Dad (End)
World Five: Apocalyptic Trash Dad (End)
World Six: Ruanfan Men Don’t Be White-eyed Wolves (End)
World Seven: The National Husband of a Gold Digger (End)

Content tags: face slap system fast travel cool text
Search keywords: Protagonist: Su Aobai ┃ Supporting role: sons and daughters ┃ Others:

- Description from novelbuddy

A world filled with heroes with superpowers. A world attacked by calamity fiends. A modern world filled with wonders and dangers.

Three reincarnations. Fourth life.

She was chosen to grow up as the Child of Fate; but when the real Child of Fate appeared, she was sacrificed for that child.

In the second life, she was abused.

In her third life, she lived as a beggar.

“This country is not safe. Let’s defect!”

LeBlaine chooses to be re-born into a new family to defect. The family she chooses is…

… the family of the future biggest villains in the Kingdom.

“Let’s try to get along until the time of my exile!” is what she tried to do. But what happened was…?

“My daughter is the cutest IN THE WORLD!”

“Give me that building, I can use it as my sister’s bathroom.”

“Don’t worry, LeBlaine asked me not to hit you. Not to not kill you.”

“WHO, WHO MADE MY SISTER CRY?!”

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.