DB: Legendary Super Saiyan Bloodline at the Start - Chapter 25: Porunga

Having transcended countless trials and tribulations, Han Li has finally managed to ascend to the Immortal Realm… or has he?

Instead of the Immortal Realm, Han Li somehow finds himself in a lower realm known as the Spirit Domain Realm, having been stripped of his powers, treasures, and memories of the past 300 years.

Trapped in a foreign realm with limited resources and none of his allies from the Spirit Realm, Han Li must piece together what happened in the past 300 years.

Will he be able to return to the Immortal Realm, or will he be forced to languish in this lower realm for the rest of his existence?

It seems that as usual, the odds are stacked firmly against Han Li…

……………………………………………………………

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Su Yun crossed over and became a small anchor, suffering from lack of talent, he broadcasted live broadcasts of “hard training all kinds of unique skills” every day, wanting to make a living.

Such as: flying cards to cut flies; wooden swords to play table tennis; flying needles to shoot bulletproof glass;

On the first day of dawdling, Su Yun learned how to fly cards, and everyone thought he was here to make a joke.

On the fifth day, Su Yunfei split the cucumber, and everyone thought he had stopped here.

On the 30th day, Su Yun’s card cut through the stake ten meters away and killed the fly… After everyone was astonished, they all agreed that this was a special effect!

…

Until this day, Su Yun accidentally ran into a robber when he went out. He used cards to kill people, and the whole Internet was buzzing!

After a period of time, when Su Yun was accidentally exposed and received a summons from the police station to file a record, more of his skills were exposed one by one:

The light work of crossing the river with one reed!

The swordsmanship of splitting stones with one sword!

A flying needle comparable to bullet penetration…

Police: “Are you sure this is just an anchor? File it as an S-level file immediately!”

[There is no martial arts or cultivation world in this book, I am the only one in the book, and I am the only one in the world who comprehends evolution, it all depends on my talent]

- Description from novelbuddy

I became the childhood friend of the protagonist in a novel. The childhood friend who died from taking drugs.

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.