MTL - Tattoo Awakening: All Kinds of Divine Beasts Carved on My Back - Chapter 22 pseudo high dimensional space

Fang Heng was transmigrated to a parallel world and his soul was forced into the body of a man who had just committed suicide.Huh? What? Every human here was being forced to join a game? Those who refused would be killed?Wait? This suicide dude was a pro gamer?He had the highest S-rank talent sill, the Zombie Clone?Damn! The S-rank skill evolved! My zombie clones could auto hunt![Your zombie army has crafted Wooden Axe x720 when you were offline. You have received 1921 experience points for the Basic Crafting skill.][Your zombie army has chopped down 27,821 trees and gathered 128,973 pieces of wood while you were offline. You have received 2,171,921 experience points for the Basic Wood Chopping skill.]Just as the rest of the players were struggling to survive in the zombie apocalyptic game, Fang Heng's zombie clones were starting to clear every resource out of the forest.Hm... What an interesting game!

Until he became the lowest-ranked master, his lonely and luckless life never changed.

Suddenly one day, a descendant injected him with a nanomachine, and the machine started ‘speaking’ to him.

“What? What are you talking about?”

This was beyond the boy’s knowledge, he turned pale.

The Nanomachine linked to his cerebrum realized the User was not understanding a single word it said.

“Who are you, and why are you doing this to me?”

“Nano Mashin?”

The boy’s face hardened.

Mashin was the deity the Mashin Religion worshipped, along with the Sacred Fire.

The religions’ Master communicated with Mashin.

“Um, are you really Mashin?”

The boy knelt down and asked with a trembling voice. At this, the Nanomachine attached to his cerebrum realized it had been misunderstood.

One of the Conferred Martial Emperors, Gu Feiyang, passed away in the Tiandang Mountains and was reincarnated 15 years later as Li Yunxiao of the State of Tianshui, embarking on a heaven-defying journey against the innumerable geniuses of the time.

The nine levels of the Martial Art; the Divine Realms of the ten quarters. From then on, the whole world fell into chaos!

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.